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Nabucco

Dramma lirico in four parts (1842)

Music from Giuseppe Verdi
Text from Temistocle Solera

It was his first great success, in a sense, his breakthrough: Nabucco. Premiered at Milan’s Scala in the spring of 1842, this work marks the start of the brilliant career of Giuseppe Verdi, who would become the leading Italian opera composer, going virtually unrivalled for decades. Set in biblical times in Jerusalem and Babylon, Nabucco deals with the fates of two peoples and cultures, but also the arrogance of the protagonist, who with an inflated sense of self-importance declares himself a god, only then to descend into madness. Tableaux with ceremonial gestures and poignant music, such as the famous chorus “Va pensiero” sung by the imprisoned Hebrews, are combined with scenes of intense expression, filled with drama and passion.
This will be the first production at the Staatsoper by the renowned director of opera, theater, and film Emma Dante. Bertrand de Billy, widely acknowledged as a Verdi specialist, will conduct the impressive and powerful work.

Media

  • Einführung Nabucco
    Audio
  • Eine Person steht in einem schwarz-goldenen Kostüm auf einer erhöhten Plattform und trägt über ihr eine Krone. Sie ist von Schauspielern in verschiedenen Kostümen umgeben, darunter weiße Roben und schwarze Kleidung. Ein goldener Hintergrund umrahmt das Ensemble.
  • Zwei Personen stehen dicht beieinander auf der Bühne und halten sich an den Händen. Im Hintergrund sind zwei Kerzenleuchter und schattenhafte Gestalten in drapierter Kleidung zu sehen, die eine unheimliche Atmosphäre schaffen.
  • Ein junges Mädchen in einem geblümten Kleid hält die Hand einer Person in einem dunklen Gewand und berührt eine dunkle Backsteinmauer. Drei weitere Personen in Gewändern stehen ebenfalls vor der Mauer und legen jeweils eine Hand darauf.
  • Eine Gruppe von Darstellern, alle in schwarzen Mänteln und Zylindern, umringt eine Person in der Mitte, die mit ausdrucksstarkem Gesicht nach oben blickt und möglicherweise singt. Der Hintergrund ist dunkel, mit einer golden beleuchteten Box auf der linken Seite.
  • Eine Person in einem goldenen, sonnenähnlichen Kostüm im Vordergrund. Dahinter eine Blumenkulisse mit Darstellern in weißen Gewändern, die auf mehreren Ebenen angeordnet und von leuchtenden Blumen und Grünpflanzen umgeben sind.
  • Eine Darstellerin in einem goldenen, fächerförmigen Kostüm steht in der Mitte der Bühne, umgeben von einer üppigen Kulisse aus Blumen und Grünpflanzen. Hinter ihr ist ein Chor in weißen Gewändern auf gestuften Balkonen angeordnet.

Part One

Jerusalem – The Babylonian king Nabucco and his troops besiege Jerusalem. The Hebrews gather at Solomon’s temple to pray for God’s help. The High Priest Zaccaria insists that they do not give up hope, since they are holding Nabucco’s daughter Fenena hostage. She once freed Ismaele, the nephew of the king of Jerusalem, in Babylon and followed him out of love back to the city. But now, Ismaele wants to help her flee. The plan is thwarted by Fenena’s sister Abigaille, who is able to get into the temple with her Babylonian soldiers thanks to a disguise. Not only Fenena, but Abigaille also loves Ismaele. She presents him with a choice: if he were ready to return her love, she would be ready to protect him and his people. But Ismaele cannot declare his love for her. By now, Nabucco has taken the city. Zaccaria wants to protect the temple from desecration and threatens the Babylonian king with Fenena’s execution. Out of love for Fenena, Ismaele disarms the High Priest and thus seals the fate of his people. Nabucco orders the destruction of the temple.

Part Two

The Impious One – Back in Babylon, Abigaille discovers a secret document that reveals her true origin. As the daughter of a slave, she is not Nabucco’s legal successor: Fenena is. The king has transferred the rule over Babylon to Fenena during his absence, and she decides to free the imprisoned Hebrews. Horrified by this, the priests of Baal decide to support Abigaille: by spreading the fictive news of Nabucco’s death, Abigaille is to seize power.

The Levites blame Ismaele for the imprisonment of the Hebrews. But Zaccaria calls on all to forgive and announces that Fenena has converted to the Jewish faith. After the news of Nabucco’s supposed death is announced, Abigaille demands the crown from Fenena. But suddenly, the supposedly dead king himself appears and demands that he should now be worshipped as the only God. The blasphemer is struck by lightning and punished with madness. Abigaille seizes the moment and takes the crown.

Part Three

The Prophecy – Deceived by Abigaille’s deception, Nabucco, who has still not regained his wits, signs the death sentence for the Hebrews. He realizes that he has just sealed the fate of his daughter Fenena. When he threatens Abigaille with revealing her true origins, she destroys the documentation of her mother’s identity before Nabucco’seyes and has the king arrested.

Full of sadness and longing, the imprisoned Hebrews recall theirhomeland. Zaccaria prophesies a better future and calls on them to summon new courage.

Part Four

The Broken Idol – When the imprisoned Nabucco learns that theexecution of the Hebrews and Fenena is being planned, he pleads to the God Jehovah and asks for forgiveness. With the assistance of his officer Abdallo, he succeeds in freeing himself.

Nabucco prevents the execution and has the idol of Baal destroyed. He grants the prisoners freedom and promises to erect a new temple for Jehovah. The dethroned Abigaille has taken poison and dies, after beseeching Fenena for forgiveness.

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